The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the "heroic age of popular Radicalism"; the public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

The radical weekly newspaper or pamphlet was the leading print organ of popular radical expression during what has been called the heroic age of popular Radicalism; the years of public agitation for parlimentary reform between 1815 and 1820. This work reprints the original runs of the rarest periodicals.

Ranging across literature, theater, history, and the visual arts, this collection of essays by leading scholars in the field explores the range of places where British Romantic-period sociability transpired. The book considers how sociability was shaped by place, by the rooms, buildings, landscapes and seascapes where people gathered to converse, to eat and drink, to work and to find entertainment. At the same time, it is clear that sociability shaped place, both in the deliberate construction and configuration of venues for people to gather, and in the way such gatherings transformed how place was experienced and understood. The essays highlight literary and aesthetic experience but also range through popular entertainment and ordinary forms of labor and leisure.

This 2005 collection of essays challenges the traditional conception that British Romanticism was rooted in nature and rural life, by showing that much of what was new about Romanticism was born in the city. The essays examine the works and events of the Romantic period from the point of view of the urban world, where rapid developments in population, industry, communication, trade, and technology set the stage and the tone for many of the great achievements in literature and culture. The great metropolis appears as both fact and figure: London is its paradigm, but the metropolitan perspective is also borrowed and projected elsewhere. In this volume, some of the most exciting critics of Romanticism explore diverse cultural productions from poems and paintings, to exhibition sites, panoramas, and political organizations to do long-overdue justice to the place of the city - both as topic and as location - in British Romanticism.

Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge.

Print Politics was the first literary study of the culture of the popular radical movement for parliamentary reform in the early decades of the nineteenth century. The period was characterized by popular agitation and repressive political measures including trials for seditious and blasphemous libel. Kevin Gilmartin explores the styles and strategies of radical opposition in the periodical press, and in the public culture of the time. He argues that writers and editors including William Cobbett, T. J. Wooler, Richard Carlile, John Wade, and Leigh Hunt committed themselves to a complex, flexible, and often contradictory project of independent political opposition. They sought to maintain a political resistance uncompromised by the influence of a corrupt 'system', even while addressing and imitating its practices to further their oppositional ends.

Print Politics was the first literary study of the culture of the popular radical movement for parliamentary reform in the early decades of the nineteenth century. The period was characterized by popular agitation and repressive political measures including trials for seditious and blasphemous libel. Kevin Gilmartin explores the styles and strategies of radical opposition in the periodical press, and in the public culture of the time. He argues that writers and editors including William Cobbett, T. J. Wooler, Richard Carlile, John Wade, and Leigh Hunt committed themselves to a complex, flexible, and often contradictory project of independent political opposition. They sought to maintain a political resistance uncompromised by the influence of a corrupt 'system', even while addressing and imitating its practices to further their oppositional ends.

Ranging across literature, theater, history, and the visual arts, this collection of essays by leading scholars in the field explores the range of places where British Romantic-period sociability transpired. The book considers how sociability was shaped by place, by the rooms, buildings, landscapes and seascapes where people gathered to converse, to eat and drink, to work and to find entertainment. At the same time, it is clear that sociability shaped place, both in the deliberate construction and configuration of venues for people to gather, and in the way such gatherings transformed how place was experienced and understood. The essays highlight literary and aesthetic experience but also range through popular entertainment and ordinary forms of labor and leisure.

Conservative culture in the Romantic period should not be understood merely as an effort to preserve the old regime in Britain against the threat of revolution. Instead, conservative thinkers and writers aimed to transform British culture and society to achieve a stable future in contrast to the destructive upheavals taking place in France. Kevin Gilmartin explores the literary forms of counterrevolutionary expression in Britain, showing that while conservative movements were often inclined to treat print culture as a dangerously unstable and even subversive field, a whole range of print forms - ballads, tales, dialogues, novels, critical reviews - became central tools in the counterrevolutionary campaign. Beginning with the pamphlet campaigns of the loyalist Association movement and the Cheap Repository in the 1790s, Gilmartin analyses the role of periodical reviews and anti-Jacobin fiction in the campaign against revolution, and closes with a fresh account of the conservative careers of Robert Southey and Samuel Taylor Coleridge.

This 2005 collection of essays challenges the traditional conception that British Romanticism was rooted in nature and rural life, by showing that much of what was new about Romanticism was born in the city. The essays examine the works and events of the Romantic period from the point of view of the urban world, where rapid developments in population, industry, communication, trade, and technology set the stage and the tone for many of the great achievements in literature and culture. The great metropolis appears as both fact and figure: London is its paradigm, but the metropolitan perspective is also borrowed and projected elsewhere. In this volume, some of the most exciting critics of Romanticism explore diverse cultural productions from poems and paintings, to exhibition sites, panoramas, and political organizations to do long-overdue justice to the place of the city - both as topic and as location - in British Romanticism.